Close Things / DENISA LEHOCKÁ
This is how it was meant to be
The object chosen by Denisa Lehocká is a constellation of three elements. At our meeting, she took them out of her bag and placed them on a park bench, one on top of the other:
sort of a vase
a strange oblong natural object the colour of bone
a thick dark brown stick
The ceramic object was given to her by her friend Juraj Johanides. It was made in Slovakia, it is not known when, nor who made it, but the author is forever present by touch: on the lower edge of the vase there are traces of the fingers of the hand that at some point dipped it in the glaze.
The other two objects were brought by Boris Ondreička, Denisa’s husband, from the Danish art group Superflex. They belong together: the tongue of the Amazonian fish Pirarucu, which is all covered with tiny teeth, is used by the locals to grind various seeds into flour or powder. For example, guarana seeds, preserved by smoke into a hard mass like this.
“We’ve had it like this at home for a few years now. I put the objects on top of each other and they stay that way. I can’t imagine it any other way.”
This “haiku” of Denisa’s is a poetry of material, form, and something else that eludes words.
Perhaps it is the space between cultures and traditions that reside in objects, invisible but powerfully present, radiating. And also the beauty of the improbability that these three things will one day find themselves in the same place, and look as if they have always belonged together.